Moai, meaning “statue” in Rapa Nui, the language of the native inhabitants, are monolithic humanoid figures on Easter Island, in Eastern Polynesia, 2,182 miles off the West Coast of Chile. Can Creator tell us approximately when these were built, what was their purpose, and who built them? Was Easter Island as isolated then as it is now? Was human slave labor involved? Was it overseen and managed by Extraterrestrials directly, and/or were ET/human hybrids (the Nephilim) involved? Was this simply a make-work project for the amusement of the Extraterrestrial Alliance?

Your question depicts the unusual nature of these gigantic figures, representing quite an enigma but clearly existing for a purpose, in an organized way, placed in an array that looks out to sea as though waiting for the gods to return, as they are often presumed to represent, by archaeologists. The true origin of these was human more than extraterrestrial, but it is not a consequence of loving worship of a deity, or even an extraterrestrial presumed deity masquerading as such. The story is darker and more unfortunate than indigenous people simply being duped to accept extraterrestrials as gods and use them as servants. In ancient times, Easter Island was once used as a slave colony because of its isolation, so people were sent there for punishment as part of an elaborate political system in dealing with those who were more unruly and difficult to manage. They were given the task of making the Moai, the statues, according to specific instructions, as a false representation of deity, but to reinforce the fact that the slaves themselves were vulnerable and only allowed to live in exchange for their servitude and carrying out this imposed task of hard labor. So, once again, a seemingly heroic and superhuman achievement only arose because of extraterrestrial manipulation pressuring humans to do inhuman things of interest to the extraterrestrials themselves, which served no useful purpose for human beings at all, and thus is a testament only to human subjugation and not a genuine human desire for the upliftment of interacting with the divine, in some way, symbolically.