We were told that Hitler was, in fact, a fallen angel in rehabilitation. Yet, he loved his Wagner or so it appeared. Was this a measure of his rehabilitation progress, or the fact that he incarnated in a body designed for the divine human? What do the interlopers think of Wagner’s music?

This is an interesting study in contrasts, that even a fallen angelic like Adolf Hitler, when incarnated as a divine human, was outfitted with human characteristics and capabilities, at least genetically, and that was deliberate in order to offset the emptiness and darker aspects of the fallen angel he had become and was working his way out of to regain what had been lost through neglect and service to the ego causing his diminishment. This is why he was able to enjoy music and also why he endeavored to be an artist. Those pursuits were not a disguise of some kind, but truly taking a delight in seeing the dawning of an appreciation of the divine within him. This, unfortunately, did not last but was limited and in fact thwarted to not develop further but diminish over time as he turned his thoughts more and more to dark pursuits. Even the interlopers will appreciate some music to the extent it is used to glorify them and their doings. For them, it is an exercise in ego always and it is certainly the case, as evidenced in human motion picture soundtracks about the doings of the powerful, even the conquerors, that a rousing musical score can project any aspect of dark doings and the appeal and attractiveness of such power, if only as a provisional consideration, especially in the case of would-be victims looking for a way to save themselves, having such power becomes not only attractive but seems a compelling notion indeed. The fact that such things can be set to music does not indict music but simply reflects the fact that music is a vibrational representation of energy and can be used as a kind of language to explain and represent almost anything. So there is a full spectrum of possibilities from bad to good inherent in the arts, just as in the very concept of darkness versus the light encompasses a spectrum of possibilities from bad to good in some respects, not only symbolically but functionally. This is why anything dark can have a dark influence and this is true of dark music as well.