In thinking about how some musical performances seem “larger than life” and truly extraordinary, while others much less so, to what extent is the listener’s perception being influenced by differing levels of divine love added by the divine realm for the listeners’ benefit, in proportion to the energy and divine alignment of the artist during the original performance?

This is a major reason for the so-called larger than life performances that are extraordinary and seen to be exceptional at peak moments often. Some performers do this regularly. For others it is of varying frequency that it is noticed, but this is always the case. But there are two components to the divine amplification of enjoyment and the perception then by the listener something extraordinary has taken place. One is that the action of the divine in wanting music to be expressed in the human world will reward the listener with a pat on the back energetically for paying attention and allowing the exposure to happen to give music its due and allow it to impinge on the person and elevate them to some degree. This is a divine act in and of itself, to take advantage of a divine medium of communication bringing love in, expressed in musical tones and rhythms. So it is a loving act to begin with and this can be heightened by the divine realm with the pat on the back. If the performer is in divine alignment to a large degree, this will enable the divine to amplify the benefit to the listener in a corresponding fashion. This does add measurably to the perception by the listener of the worth of the performance and its stature overall. The second component to the level of divine love added to a performance that is extraordinary is because the performance is extraordinary due to the participation of a divine being in its execution directly. This is done by a divine light being coming into the person’s energy to add their energy to the enterprise as well as an artistic flourish they can add by virtue of their skill, as well as the emotional content to help the performer reach above their own level of energy and talent to craft something of an extraordinary degree of excellence, and this is the sum total then of two performers working in concert. The divine agent could be an archangel or a human who enjoys musical performance and is adept in joining with a human in the physical to carry out a performance in concert and will augment what the human does, never to override it or interfere, but only to add out of respect and in keeping with the free will paradigm. This participation in partnership will only happen to performers in divine alignment who want divine assistance, so it is akin to anything else one might pray for. It is the prayer many times that causes good things to happen and they would not otherwise.